“On the internet, moderation has its limits, and it is necessary to relearn netiquette.”

In the summer of 2025, tens of thousands of spectators watched the staging and encouraged the humiliation of "JP" [Jean Pormanove] with messages or donations. But those who did so went beyond the role of spectator: through their suggestions for scenarios, they were also co-producers of this distressing entertainment.
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The problem is not directly linked to digital technology and could have existed off-screen—imagine a theater where, for days on end, a volunteer would be humiliated in front of an audience that voted to prolong the humiliation. Thus, thirty years ago, dwarf-throwing shows led to the Morsang-sur-Orge ruling: the Council of State affirmed that respect for human dignity could justify banning this show, even if the victims consented. Nothing has changed, and the shameful remains shameful, in a nightclub as well as on the internet.
The success of films like "The Goat" (1981) or "The Bronzés" (1978) is essentially based on the humiliation of an antihero. But with one essential difference: the viewer laughed at a fictional performance, with consenting actors, in a masterful staging. With Web 2.0, co-produced by Internet users, this old comic device is shifting into a new reality: it is no longer a scenario, but a real and prolonged humiliation. With the Internet user becoming a co-producer, the search for responsibility cannot focus on the organizers of the show; it must also include the Internet producers. We must therefore remind the platforms of their responsibilities as publishers. This will require going beyond the reporting mechanisms used by Internet users, which are ineffective on private channels reserved for those attracted by these shows. The moderation through artificial intelligence and the community championed by Elon Musk and Mark Zuckerberg finds one of its limits here.
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